Three more articles have been added. I’m still trying to decide on how to handle the “Images” section of this site right now. Once I have that figured out I’ll get a few images up.
We see in a few of the sagas the mention of ‘lots’ and the act of ‘casting lots’ for many purposes. On each of the saga pages I had said that it was uncertain if these lots were really runes or something else completely. There is some evidence that these lots may in fact have been runes or pre-runic magic symbols that were carved on branches.
In the first century A.D. the Roman author Tacitus wrote his Germania 10 in which he gives an account of some divinatory practices of ancient Germanic people.
For divination and the casting of lots they have the highest regard. Their procedure in casting lots is always the same. They cut off a branch of a nut-bearing tree and slice it into strips; these they mark with different signs and throw them completely at random onto a white cloth. Then the priest of the state, if the consultation is a public one, or the father of the family if it is private, offers a prayer to the gods, and looking up at the sky picks up three strips, one at a time, and reads their meaning from the signs previously scored on them. If the lots forbid an enterprise, there is no deliberation that day on the matter in question; if they allow it, confirmation by the taking of auspices is required.
The different signs that were scored on the wood could have only been one of a few things. First off it’s possible that they had carved magical symbols onto the strips. If this is the case they may have been the runes being used as magical symbols or actual magical symbols that date to a pre-runic time. We have to take into account a few things here. If the symbols were in fact magical pre-runic symbols then why would we find items, such as swords and rings, from this time period that contain magical inscriptions carved in runes. Not the pre-runic symbols, but the actual rune symbols. However, there’s another side to this coin. If the runes were used for magical inscriptions then why would we see so many variations in different rune sets? If they were used for magic then there would be no need to make changes to the design of the symbols. It would be similar to the symbols used in astronomy, since each symbol stands for something specific, like the sun or the moon; there is no need to change the symbol. So the symbol gets passed from culture to culture and through time unchanged. However, using the runes as a writing system would give reason to why there were changes in the shapes of the runes.
There is one other possibility that could lead us to believe the symbols carved were rune shapes. This possibility is that the runes were used for both magical purposes as well as for writing. The magical inscriptions were simply oral commands carved onto an item to give the power of the command to the item it was being carved on. This seems to be the more likely explanation. The runes used as a system of writing would allow someone to add magical inscriptions to something without having to know a separate list of magic symbols.
With all that said is it safe to assume that the terms ‘casting lots’ and ‘lots’ referred to the runes in the sagas? Well without any solid proof the answer would be no, we can’t say for certain. However, the possibility of this happening is greater than the possibility of it not happening. At least that’s what I am lead to believe, still you should try to decide that for yourself.
For almost all other rune sets you should be able to find some divinatory meanings for each rune in its set. This is where the Medieval runes differ from the rest. They were never used for divination purposes and are actually not a rune row in their own right. What they are is individual runic symbols that hold magickal properties of protection and healing. They are probably the least known of the rune sets and probably one set that we may never fully understand how and what they were used for. They are said to originate in the Middle Ages and are largely thought to be Germanic or Dutch in origin.
The images and shapes of this set (shown here) are not that different than the other runes that we’ve seen before. But why is that? If these runes were used for magickal protection and healing, why not just use the protection runes or healing runes from an already developed set? The answer to that is not clear and may never be. It could be that the images for the runes were chosen because each rune was said to relate to a god or goddess. If that’s true then setting them apart from the other runes may be the reason why the shape was changed only a little. If you wanted the power of a god to help protect you or your home then it may be wise to use a protection rune from an established rune set. However, if you wanted to make sure that the rune held a little more power and possibly some magick to it, then it may have been the intent of the user to modify the rune just slightly enough so that the image was not identical, but still showed the original rune, therefore adding the element of magick to the rune. This is of course a lot of speculation and guesswork since there is no solid evidence of why these runes were only used for magickal purposes and not in casting.
The Armanen rune set, like other sets, has a difficult history to pin-point where and when it was established. Some will say that this set was originally developed by Guido List, while others will tell you that List followed the previous works of a scholar named Johannes Bureus. However, either way you look at it List’s work varies enough from previous scholar’s work to make the Armanen rune set one worth having a look at.
Gudio List (1848-1919) was the founder of a school of German rune work. The contributions to the study and preservation of the runes may be one of the reasons that we know as much about the runes as we do today. That’s not to say that all that List had taught was to be held as truth. In fact List claimed that his Armanen rune set was not only older than the Elder Futhark but that his set had laid the groundwork for the Elder Futhark as well as other rune sets.
It is said that the Armanen rune set came to List in a vision one day after he had become temporarily blind from an eye surgery. He envisioned 18 runes that were said to be the original rune set and the most ancient script for the Aryan race. However, if we look closely at the 18 runes we’ll notice that List simply took various Scandinavian rune sets, used from those sets various rune staves and then added 2 more to get a total of 18 rune staves for his set – which incidentally is the number of runes talked about in the Hávamál (Sayings of the High One – Part of the Elder Edda).
As far as the divinatory meanings for List’s runes we can see a close connection to the meanings of the Younger Futhork. However, with List’s set there are different meanings for daemoniums (reversed runes) as well as different names1. The use of this set among Germans and people in German speaking countries seems to be very widespread. However, since this set has ties to Socialist German, the Nazi party and in some aspects even to Hitler, we see this set being used less by modern day rune casters.
I’ve added a few more articles on the site. The rune meanings section is almost done – just two more to add. I’m getting underway in the rune sets section – which will eventually be expanded to add sets that I left off the old site. I’m hoping that by the end of the year, all of the old articles are in place and I’m well on my way to adding newer articles and even some little extras for people to play with.
The Gothic rune set, while lacking its own rune poem, does have some very interesting meanings known to us. The reason for this is due to a bishop from the middle of the fourth century named Ulfila. Bishop Ulfila set out to construct a new alphabet that was largely based on the Gothic runes as well as Hellenic Greek and Arian and Gnostic Christian sources. While his alphabet failed for its purpose it did do a few positive things for the runes. Ulfila’s meanings for his magical alphabet found their way back into the meanings for the Gothic runes. Some would say that this is not a benefit for the runes because Ulfila’s own meanings may have replaced the older meanings for the runes. However, since we no longer have much idea what those meanings are, we do have at least one version of meanings for the runes. Of course, being a bishop, we do tend to see a sort of “Christian flavor” to the meanings, which can be looked on as either a good or a bad thing – all depending on your view.
When Christianity started to rise among the Goths they gave up their use of the runes, but they did replace their rune use with the use of Bishop Ulfila’s alphabet. The use of the new alphabet may in fact have kept us from forgetting about the Gothic runes and their meanings. Even though the true meanings may be lost, we do see at least one set of meanings for these runes thanks to the bishop. Also, I find it hard to believe that while creating meanings for his own alphabet that Ulfila completely ignored the original meanings for the Gothic runes. So there is still a possibility that the newer, “more Christianized” meanings have hints of the original meanings in them.
Another reason we know a little more about the Gothic runes, despite it not having a rune poem, is thanks to Otto von Friesen. This Swedish researcher, in 1928, published Runorn i Sverige in which he reconstructed the Gothic runes, their meanings as well as assigned genders to each rune. An excellent work that allows us more insight to the runes and their meanings on a whole new level.
The Northumbrian runes are an extension of the Anglo-Saxon runes, which in turn are an extension of the Elder Futhark rune set. The Northumbrian runes add 4 more runes to the Anglo-Saxon set making the total of 33 runes. Again due to the set up of the Anglo-Saxon runes, you may see this set also being referred to as the Northumbrian Futhork.
Sound: “q”
Stands for: Flames of a fire
Casting meaning: This rune represents a process of transformation through fire. The spirit of a body from a person on a funeral pyre is liberated by fire. Cweorth refers to the sacredness of the hearth and ritual cleansing by fire.
Sound: “k”
Stands for: Offering Cup
Casting meaning: Calc denotes the death of the individual, however it is not seen as a death rune. Like Ear, Calc indicates the natural ending or conclusion of a process. Do not view this ending as a termination, but as the end of an old era resulting in a spiritual transformation.
Sound: “st”
Stands for: Stone
Casting meaning: Stan represents an obstruction in our path, like a boulder at the entrance to a cave. It also represents the stone playing pieces used in board games. Symbolically it represents a link between heavenly bodies and earthly beings. This rune can be used to obstruct and turn back any opposition in our lives.
Sound: “g” as in “gap”
Stands for: Spear (specifically Gungnir – Odin’s Spear)
Casting meaning: The Gar rune is a special one. Unlike the previous 32 runes in the Northumbrian set, Gar does not belong to an ætt. However, this rune is said to be the center point of all the other runes in this set. It is also said to contain all the other runes in itself, making it a powerful and useful rune.
The Medieval runes of healing and magick are special as they were not used in rune casting but for protection and healing. In fact they were mainly associated with gods and goddesses that were worshiped secretly in Christian times.
Sound: “sz” as the sound in “ease”
Stands for: Wolf-hook (Ancient Iron Weapon)
Magick/Healing use: Used to bind and eliminate harmful influences.
Sound: “oe” as the sound in “er”
Stands for: Our Planet (Mother Earth)
Magick/Healing use: Helps to reincorporate human actions with the world.
Sound: “ue” as the sound in “ee” or “ö”
Stands for: Turning point
Magick/Healing use: Revives former powers and helps assist in crises of healing.
Sound: “zz” as in “buzz”
Stands for: Thunderbolt of the God Ziu
Magick/Healing use: Concentrates and channels cosmic energies to maintain correct order.
Sound: “ss” as in “kiss”
Stands for: Disk of the sun
Magick/Healing use: Brings the healing power and warmth of the sun.
Sound: “mm” as in “humming”
Stands for: Phases of the moon
Magick/Healing use: Reminds us that we must experience good and bad alike.
Sound: no sound
Stands for: Bellows
Magick/Healing use: Contains the power of motivation.
Sound: no sound
Stands for: Emptiness
Magick/Healing use: Represents the power of the place where all existence began.
After an eye operation Guido List claimed to have had a vision where he saw the “original” set of runes. He claimed that these runes were the runes that all other rune-rows were based on. Having 18 runes in his set, he identified each of his runes with one of the 18 spells in the Havamal1 in the Elder Edda. However, there was no evidence to support his claim.
Sound: “f”
Stands for: Primal Fire
Casting meaning: Symbolically this rune represents the power of spirit and change as well as the power of creativity.
Sound: “u”
Stands for: Resurrection
Casting meaning: Ur is a physician’s rune and represents resurrection, eternity, and continuity.
Sound: “th”
Stands for: Lightning and Thunder
Casting meaning: The rune represents the thunderbolt, but symbolically it stands for targeting goals, activity and the phallus.
Sound: “o” as in “cold”
Stands for: Mouth
Casting meaning: Os represents the spiritual power that is gained through speech. It is the breath of the world, its voice. It also signifies the strength that a person needs to rise up in power.
Sound: “r”
Stands for: Ritual (or Primal Laws)
Casting meaning: This rune represents the orderliness in the world, the ritual, primal law and things that are done correctly. It also stands for cynical events and rescue from an enemy.
Sound: “k”
Stands for: World Tree
Casting meaning: List’s version of this rune was simply for it to represent the world tree. However, more modern versions of this rune say that it stands for power, generation, ability and artfulness.
Sound: “h”
Stands for: Hail (not positive)
Casting meaning: Due to its shape Hagal is sometimes called the Mother rune and is said that all other runes derive from its shape. It is a rune of enclosure but contains a potential for growth.
Sound: “n”
Stands for: Necessity of fate
Casting meaning: This rune can be taken as the same idea as the Hindu concept of karma. What is done in this lifetime will determine our future existence.
Sound: “i” as in “piece”
Stands for: Ego
Casting meaning: Just like our ego, this rune is one that is used to control ourselves. It represents the personal power of control, obedience and our compelling will.
Sound: “a” as in “aah”
Stands for: Leadership
Casting meaning: Modern meanings of this rune are of beauty, fame, intelligence and virtue. List’s version of this rune has it representing sunlight that washes away darkness as well as having it denote nobility and leadership.
Sound: “s”
Stands for: Sun Power
Casting meaning: Like Ar this rune represents the power of the sun. The difference is that Sig is the power of the sun whereas Ar is the power that the light of the sun contains. It is also a rune of success and victory.
Sound: “t”
Stands for: Rebirth of the Sun God
Casting meaning: Tyr is a rune that has the power to make situations turn completely around. A rune of wisdom, spiritual understanding, and the power of generation.
Sound: “b”
Stands for: Birth
Casting meaning: This rune represents birth, but in a sense of the birth of the future life that is preordained for us. Modern versions of this rune say it stands for the power of becoming as well as the power of creativity found in song.
Sound: “l”
Stands for: Örlog (Primal Law)
Casting meaning: List said this rune stood for the concepts of defeat and the laws of nature. Today modern versions have this rune denoting life, water and primal law.
Sound: “m”
Stands for: Man (as in human, not gender)
Casting meaning: The second mother rune of this set, Man was used in Armanen tradition to represent birth. Modern versions say it stands for health, increase, maleness and man (gender this time).
Sound: “y” as in “tiny”
Stands for: Bow (or Rainbow)
Casting meaning: Modern interpreters see this as a female rune, the night, death and instinct. List said it denoted anger, falsehood, error and the oppositions found in man (as in human not gender).
Sound: “e” as in “every”
Stands for: Duality (or possibly even Horse)
Casting meaning: The rune Eh is said to symbolize duality where a pair is bound by primal law, love, trust and marriage.
Sound: “g”
Stands for: Gift of life
Casting meaning: This rune represents the giver of life and both the giver and the gift of life itself. It is also the cosmic consciousness and the divine principle.
The Anglo-Saxon rune set was adapted early in the 6th century B.C.E. from a rune row known as the Frisian rune row. The Frisian runes were the result of a rapid change in the language in Frisia. With such a rapid change in the language more runes were eventually needed so the Elder Futhark was expanded by 4 symbols to bring the Frisian rune row to a total of twenty-eight rune staves. Later around the 7th century a twenty-ninth rune, Ear, was added to form the Anglo-Saxon rune set.
When the rune row was expanded a slight change was made to the order of the set. Ansuz, the fourth rune of the Elder Futhark, was replaced with a new rune, Os and Ansuz was renamed Aesc. While this may have been the only change to the shapes and names of some of the runes it was not the only change in rune order that we come across with this set (and its similar sets). In various manuscripts and on some carvings we see the runes in different orders. On a knife found in the Thames River in London we see the full rune row but in a different order. On the Thames River knife we still see that the fourth rune is Aesc, but the last eight runes are arranged differently leaving the rune Ear to be at the end of the rune order.
Most of the information for the order of the Anglo-Saxon and Frisian rune sets is known because of the Thames River knife, also known as the Thames scramasax, and the Vienna Codex. The Vienna Codex is an early 9th century Anglo-Saxon manuscript that does provide a complete version of the Anglo-Saxon rune row.