On the Gothic monument stone known as the Kylver Stone we find the oldest complete rune-row. The runes of the Gothic rune-row were used mainly for religious dedications. Unfortunately not a whole lot is known about their meanings because unlike other rune sets there is no Gothic Rune Poem.
Around the middle of the 4th century Bishop Ulfila created a new alphabet, based on the Elder Futhark, to write Christian material in the Gothic language. For the names of the runes below I have listed the name Ulfila had given the runes as well as the Gothic name for the rune.
Sound: “f”
Stands for: Well being
Casting meaning: This is a rune of prosperity, well-being, and fruitfulness. It represents the Mother Goddess as preserver and nurturer as well as the mythical cow Audhumla. It symbolizes the abundance gained through power, as well as the power itself.
Sound: “u”
Stands for: Strength
Casting meaning: The rune Urus represents Urd, one of the three Norns, or fates, in Norse mythology. It denotes primal strength and the power of creativity.
Sound: “th”
Stands for: Thorn
Casting meaning: Thauris is a rune of defense, like the thorn it can resist an attack without a fight. The rune Thyth represents the power of enclosure and has the strength to breakdown disorder and chaos.
Sound: “a” as in “car”
Stands for: Human decent from divine beings
Casting meaning: Ansus is a god rune showing us that humans are descendents of the gods. Aza is a rune that calls upon the divine beings and holds the power of creativity.
Sound: “r”
Stands for: Motion
Casting meaning: Raida simply means motion and it’s Gothic representation Reda adds to it the feminine power of the Mother Goddess.
Sound: “k”, “c” as in “cake”
Stands for: Knowledge
Casting meaning: The rune Kusma symbolizes insight, learning, knowledge, wisdom and enlightenment. Chosma shows us the duality between things such as the thin border between madness and genius.
Sound: “g” as in “gift”
Stands for: The act of giving
Casting meaning: Giba and Gewa, like the Elder Futhark rune Gebo, stands for the gift given between two people as well as the act of giving and the bond that such a gift creates.
Sound: “w”
Stands for: Joy
Casting meaning: The last rune of the first ætt represents joy, harmony and a peaceful state of mind in a chaotic world.
Sound: “h”
Stands for: Hailstone
Casting meaning: Like a hailstone, the rune Hagl/Haal represents restrictions and restraints. But like a hailstone melting, Hagl/Haal allows for the transformation form something so restricting to something more fluid and easy going.
Sound: “n”
Stands for: Need
Casting meaning: This rune denotes the absence or scarcity of something as well as symbolizing a necessity or need. The Gothic rune of Noics also signifies the letter of justice.
Sound: “i” as in “piece”
Stands for: Icicle
Casting meaning: his rune represents an icicle symbolizing unchanging existence.
Sound: “y”, “j” as in “Frejya”
Stands for: Season (or Year)
Casting meaning: Like the changing from season to season or from one year to the next, this rune represents the characters of the cycles found in nature. It is a completion at the proper time with the chance for new beginnings.
Sound: “e” as in “egg”
Stands for: Staff cut from a Yew Tree
Casting meaning: Aihs represents a double-ended staff of life and death cut from a yew tree. Waer symbolizes sacrifice.
Sound: “p”
Stands for: A Pot (or a Womb)
Casting meaning: The rune Pairthra represents a pot which in turn symbolizes a womb. The Gothic representation of this rune stands for an unexpected resolution to difficult situations.
Sound: “z”
Stands for: Power (of the elk)
Casting meaning: The rune Algs represents the power that is found in an elk. The Gothic rune of Ezec represents the fifteen starts of traditional European astronomy.
Sound: “ss” as in “kiss”
Stands for: Light overtaking darkness
Casting meaning: The runes of Saúil and Sugil stand for the power of the sun overtaking darkness. The Greek roots of Saúil referring to both the sun and the moon.
Sound: “t”
Stands for: Victory
Casting meaning: This rune symbolizes victory, goals attained, and earthly strength though male power.
Sound: “b”
Stands for: Birth (or Regeneration)
Casting meaning: This rune represents the power of woman, birth and regeneration. It also represents the birch tree (or twig) which is the favored wood used for runic divination because it is considered pure and absent of harmful influences.
Sound: “e” as in “egg”
Stands for: Horse
Casting meaning: Egeis represents the power and status of a horse. It was said that the gods used horses in divination, shamanism and royal pageantries. The rune Eyz signifies the aether, the medium prevading cosmos.
Sound: “m”
Stands for: Basic human qualities
Casting meaning: This rune represents the basic qualities that are found in all humans such as support, social abilities, happiness and cooperation.
Sound: “l”
Stands for: Water
Casting meaning: As water stimulates the growth of plant life the Lagus/Laaz rune stimulates growth in all of us. It also represents the fluidity and easygoing nature that we all strive to obtain.
Sound: “ng” as in “song”
Stands for: Generative power
Casting meaning: This rune symbolizes the potential power that we must learn to channel before we unleash it on the world. A generative power that is released in a single burst.
Sound: “d”
Stands for: Day
Casting meaning: The rune that stands for “day” is one that can be used for the protection of entrances. In a reading you may take this rune to mean a protection from new people or situations that enter your life or your present situation.
Sound: “o” as in “cold”
Stands for: Inherited land/property
Casting meaning: Like similar runes that represent land in its many forms this rune is one of a wealth that is passed on to us from our family. Like family knowledge or a family secret it is something we should carefully watch and guard over.
Sound: “qu” as in “quick”
Stands for: Flames of a fire
Casting meaning: Although it is part of the third Gothic ætt the rune Quairtra encapsulates all the other runes in this set. It symbolically represents the flames of a fire as the transform things from one form to another cleansing them as it changes their form.
The Gothic rune set, while lacking its own rune poem, does have some very interesting meanings known to us. The reason for this is due to a bishop from the middle of the fourth century named Ulfila. Bishop Ulfila set out to construct a new alphabet that was largely based on the Gothic runes as well as Hellenic Greek and Arian and Gnostic Christian sources. While his alphabet failed for its purpose it did do a few positive things for the runes. Ulfila’s meanings for his magical alphabet found their way back into the meanings for the Gothic runes. Some would say that this is not a benefit for the runes because Ulfila’s own meanings may have replaced the older meanings for the runes. However, since we no longer have much idea what those meanings are, we do have at least one version of meanings for the runes. Of course, being a bishop, we do tend to see a sort of “Christian flavor” to the meanings, which can be looked on as either a good or a bad thing – all depending on your view.
When Christianity started to rise among the Goths they gave up their use of the runes, but they did replace their rune use with the use of Bishop Ulfila’s alphabet. The use of the new alphabet may in fact have kept us from forgetting about the Gothic runes and their meanings. Even though the true meanings may be lost, we do see at least one set of meanings for these runes thanks to the bishop. Also, I find it hard to believe that while creating meanings for his own alphabet that Ulfila completely ignored the original meanings for the Gothic runes. So there is still a possibility that the newer, “more Christianized” meanings have hints of the original meanings in them.
Another reason we know a little more about the Gothic runes, despite it not having a rune poem, is thanks to Otto von Friesen. This Swedish researcher, in 1928, published Runorn i Sverige in which he reconstructed the Gothic runes, their meanings as well as assigned genders to each rune. An excellent work that allows us more insight to the runes and their meanings on a whole new level.
As far as how the runes were created and how they traveled from one place to the next is unclear to us. They may have been an adaptation of previous alphabets or could have been the result of original work. To get a better understanding of where the runes may have come from we will look at the four major historical history theories on the runes. After each theory we’ll take a look at the pros and cons of each to get a better idea of why the theory may or may not be the correct one.
The four theories that we will cover are as follows:
This theory was first presented in 1874 by L.F.A. Wimmer and states that the runes are a result of the adaptation of the Roman (or Latin) alphabet. It is assumed that the ancient Germanic people, who came into contact with Roman culture through the invasion of the Teutones and Cimbri, were familiarized with the Roman written alphabet as early as the 2nd century B.C.E. They then adapted the Roman alphabet into the runes and put it to use, spreading it by the means of trading routes into Scandinavian countries and then eastward from there.
The one thing that we need to watch in this theory is the fact that there is little evidence of the runes near Roman lands at such a time. However, the spread of the runes into Scandinavian countries and from there eastward may mean that the adaptation of the Roman alphabet wasn’t complete until the runes had begun to spread northward.
First put forward in 1896 by R.M. Meyer and popularized by National Socialist Germany, this theory states that the runes were an original “alphabet.” Not only were they said to be original but they were also said to have been the groundwork on which the Greek and Phoenician alphabets were created.
This theory no longer holds much value to it due to the fact that the earliest Phoenician writings can be dated back to around the 13th or 12th century B.C.E., while the earliest runic inscription dates back to the 1st century C.E.
This theory was first stated in 1899 by Sophus Bugge and talks about how the ancient Germanic people adapted the Greek alphabet to create the runes. The theory goes that the Goths had come into contact with a cursive form of the Greek alphabet. The Goths then adapted the cursive form of that alphabet for their own use allowing the new alphabet to spread with them as they traveled.
There are problems with this theory, which have led it to be abandoned by many people. Again we see a fault in the times for this theory. The earliest the Goths would have been able to adapt such an alphabet is around 200 C.E. and the earliest runic inscription would have been earlier than that.
This theory by C.J.S. Marstrander in 1928 was strengthened in 1937 by Wolfgang Krause. The theory goes that the Germanic people living in the Alps came into contact with the North-Italic (or Etruscan) alphabet and adapted it. Then the Cimbri come into contact with the “new” alphabet and pass it on to the Suevi who carry the runes up the Rhine river to the North Sea, Jutland and beyond.
The only real “problem” with this scenario is that the encounter would have taken place two to three hundred before any runic inscriptions that are already dated. But this doesn’t mean that it couldn’t have happened. Items made of wood may have been carved with the runes and may have long since decayed.
This is only a brief timeline of the runes. I will be adding more as this site continues to grow so please be sure to check back often.
5th century B.C.E.
In the Alpine region the ‘alphabets’ known as North Etruscan, North Italic or Alpine come into existence. Later these ‘alphabets’ will play an important role in the development of the runes.
4th century B.C.E.
The Alpengermanen are thought to have come into contact with Alpine (or North Italic or North Etruscan) ‘alphabets’ and made use of them.
3rd century B.C.E.
There is a fusion between the Alpine alphabets and the pre-systemized runes forming the 24 staves of the Germanic or Elder runes. A bronze helmet found at Negau in Steiermark that was dated to possibly the 3rd century B.C.E. was inscribed in a Germanic language with Alpine lettering.
2nd century B.C.E.
Rome conquered Etruria and brings in the Roman alphabet. However the letters of the Etruscan alphabet may have advanced north through traders.
Near the end of the 2nd century B.C.E. Germanic survivors of the battles of Vercellae (the Cimbri) and Aquae Sextiac (the Teutons) stay in the area. The Cimbri, before crossing the Alps back towards Germany, may possibly have learned the runes and passed them on the Suevi.
1st century B.C.E.
The Cimbri, Suevi or possibly the Teutons advance the runes northwards down the Rhine river. At this same time the Marcomanni move the runes eastward. A goblet found at Vehlingen with a runic formula is dated to the 1st century B.C.E.
1st century C.E.
The Roman author Tacitus writes his “Germania 10” in which he gives an account of the divinatory methods of the ancient Germanic people. Also in this work it is presented that although men carried out the rituals Tacitus may have witnessed, women were held in high regard for their holiness and gifts of prophecy.
200 C.E.
A lance tip carved with runes is found at ØvreStabu in Norway and is said to date to this time.
400 C.E.
Around this time Rome is looted by people who are familiar with the runes. These people may have taken some Roman letters and incorporated them into rune lore. Also the Kylver stone, a Gothic grave slab in Gotland, shows us the first f-u-þ-a-r-k (f-u-th-a-r-k) order.
550 C.E.
A gold medallion found in Vadstena Sweden shows the three families of runes separated by double dots.
800 C.E.
Earliest date of a purely Norse rune-stave inscription.
1000 C.E.
Anglo-Saxon Rune Poem is written.
3rd century C.E.
By this time the runes have made their way to Denmark, Jutland, and Scandinavia by traveling along North Sea costal routes consisting of the Frisian Islands, Heligoland Bay as well as across Schleswig-Holstein.
6th century C.E.
Saxons bring to England the 28 rune-staves of the futhork that was developed in Friesland.
9th century C.E.
Development of the 33 rune-staves in Northumbria.
Early in the 9th century the use of the Germanic Futhark comes to an end. However, after a short transition an entire Scandinavian rune-row comes into existence mainly based on the Germanic runes.
11th century C.E.
Icelandic rune poem is written.
13th century C.E.
Norwegian rune poem is written.
16th century C.E.
Runic inscriptions in Gotland date to as late as the 16th century.
17th century C.E.
Runic inscriptions in Iceland date to as late as the 17th century.