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Anglo-Saxon and Frisian Rune Sets

The Anglo-Saxon rune set was adapted early in the 6th century B.C.E. from a rune row known as the Frisian rune row. The Frisian runes were the result of a rapid change in the language in Frisia. With such a rapid change in the language more runes were eventually needed so the Elder Futhark was expanded by 4 symbols to bring the Frisian rune row to a total of twenty-eight rune staves. Later around the 7th century a twenty-ninth rune, Ear, was added to form the Anglo-Saxon rune set.

When the rune row was expanded a slight change was made to the order of the set. Ansuz, the fourth rune of the Elder Futhark, was replaced with a new rune, Os and Ansuz was renamed Aesc. While this may have been the only change to the shapes and names of some of the runes it was not the only change in rune order that we come across with this set (and its similar sets). In various manuscripts and on some carvings we see the runes in different orders. On a knife found in the Thames River in London we see the full rune row but in a different order. On the Thames River knife we still see that the fourth rune is Aesc, but the last eight runes are arranged differently leaving the rune Ear to be at the end of the rune order.

Most of the information for the order of the Anglo-Saxon and Frisian rune sets is known because of the Thames River knife, also known as the Thames scramasax, and the Vienna Codex. The Vienna Codex is an early 9th century Anglo-Saxon manuscript that does provide a complete version of the Anglo-Saxon rune row.

Anglo-Saxon and Frisian Runes – Rune Meanings

The reason I have combined the Frisian and Anglo-Saxon rune sets together are due to their close relation to each other. Originally the Frisian set was created by expanding the Elder Futhark set by four runes (the first four listed below – Ac, Os, Yr and Ior). Then later one new rune, Ear, was added to form the Anglo-Saxon rune set sometimes called the Anglo-Saxon Futhork.

It should also be noted that the Elder Futhark rune Ansuz was renamed Aesc for these sets.

Ac

Ac

Sound: “a” as in “sat”
Stands for: Oak Tree
Casting meaning: This rune symbolizes great potential power and is a rune of great usefulness. Ac channels the power of strong, continuous growth from small beginnings to a powerful and mighty climax.

Os

Os

Sound: “o” as in “home”
Stands for: Mouth
Casting meaning: This rune, like Aesc, is a God rune. Os belongs to Odin in his aspects of a master communicator through language and writing. Os denotes the creative power of word in all its forms – in poetry, song, oral tales, and written literature.

Yr

Yr

Sound: “y” as in “yoga”
Stands for: Bow made from a Yew Tree
Casting meaning: Yr symbolizes the perfect combination of skills and knowledge applied to materials taken from nature. This rune lets us know when we are in the “right spot” for a situation, and is good to use when looking for lost objects.

Ior

Ior

Sound: “io” as in “helios”
Stands for: The World Serpent
Casting meaning: Ior symbolizes dual natures, evident in the amphibious habits of many water beasts (like the World Serpent). It also signifies the unavoidable hardships in life that we can do nothing about, but should still not worry about.

Ear

Ear

Sound: “ea” as in “dear”
Stands for: Soil of Earth (actually the dust our bodies become after death)
Casting meaning: Ear symbolizes the grave that we will all return to. However the only way that we can die is because there was life to begin with. “Without life, there is no death and without time there is no life.” More generally Ear signifies the unavoidable end of all things.

Rune Sets

There are many different versions or sets of runes that you will encounter as you read more about the runes. This is largely due to the history, travel and adaptation of the runes by different societies and cultures as they traveled around Europe. History tells us that the runes moved from society to society by the means of traders, travelers and warriors. A person may encounter and learn the runes from one society and then carry that knowledge to a new society through their travels. Since each society may have different phonetic sounds in their vocabulary the runes would take on new sounds, forms and meanings. For the most part you’ll see that the meanings and sounds didn’t change all that much. Similarities can be found between many sets. Of course there are times when you see that one rune set may be expanded or shortened to fit the needs of a specific society.

But what makes one set different from another set? Is it simply their shapes, meanings and sounds? Or can it be something deeper than that? From here on we’ll examine a few of the different rune sets and see what makes one different from the other. Click on the links to learn more about them.

Anglo-Saxon and Frisian Rune Sets – Expanded versions of the Elder Futhark rune set totaling 28 runes staves for the Frisian runes and 29 staves for the Anglo-Saxon set.

Armanen Rune Set – An 18 rune stave set created by Guido List. List claimed that this set was the “original rune set.”

Elder Futhark Rune Set – Also known as the German or Viking rune set, the Elder futhark set contains 24 rune staves.

Gothic Rune Set – This rune set of 25 staves was adapted from the Elder Futhark by a 4th century bishop for the use of writing Christian material.

Medieval Runes of Healing and Magick Set – These 8 runes were never really used for writing but were mainly associated with gods and goddesses that were worshiped in secret during Christian times.

Northumbrian Rune Set – This 33 rune stave collection was an extension of the Anglo-Saxon rune set adding 4 more runes to the already 29 rune set.

Younger Futhork Rune Set – Around the 7th or 8th century the Elder futhark rune set was shortened to 16 runes to form two new sets collectively known as the Younger futhork.

Rune Meanings

If you’ve had time to look at the different type of rune sets then you may be curious about is just what those runes stand for. As the runes were developed and as they transformed over time they came to stand for more than just sounds. They held magickal properties to people who used the runes for casting. They were still being used for writing so they held a phonetic sound as well. The name of each rune held a certain meaning and could stand for an item or an idea. For each different set below you will get to see an image of each rune, the phonetic value, what the rune stood for and also it’s meaning for casting purposes.

Anglo-Saxon and Frisian Runes – consists of the Elder Futhark Runes plus 5 more runes

Armanen Runes – similar to other runes in Scandinavia but were created by Guido List (1848-1919)

Elder Futhark Runes – sometimes called the German or Viking Futhark

Gothic Runes – the type of runes that are found on the Kylver Stone

Medieval Runes of Healing and Magick – 8 runes that were not used for writing but for magickal and healing purposes during the Middle Ages

Northumbrian Runes – consists of the Anglo-Saxon Runes plus 4 more runes

Younger Futhork Runes – includes the Danish and Swedish-Norse Futhark

It’s important to note that the names of the runes that you will find on other sites and in books may be different than the ones that you see on the pages for this site. For example the Elder Futhark rune “Kenaz” has at least five different names (or spellings) that I can think of off the top of my head. What I have done here is to use the names which I have used in my runic journal since I started it. You may also find that the images in a few books or other sites may be a little different as well. I took the most common images that I found in all of my rune books and used those in hopes that if you further your study on the runes that you may encounter the images I have used.

Sets in bold will be covered here when I get the time.